The show Unbelievable, the mini-series detailing the true stories of a serial rapist, opens by presenting the sexual assault of the first victim, Marie Adler in rural Washington. Marie Adler was addressed by two male detectives, who first speak to her in a contradictory and repetitive manner. They collect evidence from the crime scene without Marie’s help and make her recount her statement multiple times there before taking her to the hospital. When inquiring about Marie, Detective Parker is told by her old foster mother essentially to not believe her, who states she seeks attention and has a troubled past. It is this attack on Marie’s credibility which acts as a catalyst for the detectives to abruptly and completely not believe her. After this conversation, the aggressive tone of the detectives is only amplified and Marie is pressured into saying she was lying.
This depiction of the two male detectives is foiled by the characters of the two female detectives. When the next victim, Amber, is raped in Colorado, Detective Duvall has a procedure she follows and explains to the victim, highlighting the discrepancies between her investigation and the male detectives’. Her investigation includes swabbing the face of the victim, walking her back through the crime scene, speaking to her in private etc. She is diligent about crime scene collection and making sure everything is done to collect as much evidence as possible within a timeframe that it is freshest. This discrepancy of the amount and quality of evidence collected is especially disheartening in the end, when the rapist reveals the most mistakes he made (in terms of leaving traces of DNA, etc.) occurred in Washington. Eventually, Detective Duvall makes a connection with a rape in another jurisdiction investigated by Detecive Rasmussen, and the two females move forward invesitgating together.
After the decision to fully merge their investigations, Detective Rasmussen says to Detective Duvall “You’re gonna move over to my joint. It’s no offense but we’ve got better toys. We’re gonna bring in the FBI. We’re gonna bring in the CBI. We’re gonna exploit every goddamn resource available to us” (ep. 3). It is this quote that brought my attention to look at how the film portrays the gap between training, resources, and experience between the two pairs of detectives. Not only are the female detectives aware of various resources, seek them out, and employ them, the audience can recognize their specialization as a part of sex crime investigations. With Detective Duvall, her experience (even though she is less experienced out of the two) is implied in her familiarity with the nurses who examine victims, and describes them as being great at their jobs.
The depiction of resources, experience, and specialized investigations is juxtaposed through cuts of scenes between them and the detectives of Marie Adler’s case. The visual imagery of the female pair’s department shows its breath of resources and specialization: the detectives have their own workspace, a detailed crime lab, available personal, and advanced technology. This is contrasted by the department of the male detectives. They are not specialized in sex crimes investigations and seem to lack in resources in terms of both technology and forensics. It is this juxtaposition though that is exacerbated by the male detectives conduct, which makes them individually responsible for various injustices.
It is the male detectives lack of their own self-awareness of their lack of experience coupled with their pride/ego which make them completely fail at their investigation. Rather than recognizing their own lack of experience in sex crimes and thus actively defining how they recognize rape through Marie, they instead deconstruct her story inaccurately based on their predispositions. Another Detective from a different district, Kirkland, calls this pair after a tip to collaborate based on the similar evidence of their two rapes. Instead of reopening the case and reevaluating their mistake, Detective Parker instead shuts him down by saying it was fabricated. An irony lies in the fact the very details and consistencies they found peculiar enough to disbelieve Marie’s story are the very details which form this connection. This shows Detective Parker’s inability to critically think about the investigation and his willingness to follow the misinformation. Unlike the female detectives who were willing to compare their cases, Detective Parker is not willing to look for evidence to corroborate Marie’s story and get justice for her. He only seeks to falsify it. In the end, it is his Hubris which ultimately causes the investigation to fail. However instead of causing their own downfall, it causes Marie’s. Not only does she not gain justice, they have the audacity to charge her with a crime of false reporting and never apologize.
Alongside other things we have read in class, I find myself comparing these interpretations to George Orwell’s piece “The Courthouse Ring” and To Kill a Mockingbird. In a sense, I think a connection can be drawn between Tom Robinson and Marie Adler in an opposing yet parallel sense. Tom is innocent being charged with commiting sexual assault because of racial bias towards him. Marie is a sexual assault victim whose perpetrator won’t be prosecuted because of police bias towards her. Tom does not receive justice because of racism of the jurors and the sheriff; Marie does not receive justice because of the bias and misconceptions of the detectives’ and the stepmother’s notions about rape.
I also think it can be interesting to compare Marie Adler with Mayella Ewell, and what a comparison of someone lying and telling the truth about sexual assault can show about the treatment of female complainants. Orwell cites a scholar who critques Atticus’ goal “to expliot a virtual catalog of misconceptions and fallacies about rape, each one calculuated to heighten mistrust of the female complaintant” (TNY). Orwell argues that Atticus asserts Mayella “was so starved for sex that she spent an entire year scheming for a way to make it happen” which is “to swap one set of priveldges for another” (TNY). Orwell demonstrates that while it was appropriate to defend Tom, the construction of a defense based on misconceptions surronding what rape and feminity should look like harms actual victims. For Atticus, he believes Mayella should have been hit on the opposite side of her face and employs the ” ‘she wanted it’ defense” (TNY). For the male detectives and Marie’s step mother, details of the shoelace and knife seem unlikely. Moreover, her emotional response is not what they would anticipate it to be and believe it is a ploy for attention. Both show that the need to deconstruct misconceptions about how sexual assault is shown and reacted to. Without this change, conflations of lying with victimhood can continue occuring, harming true victims as they report crimes committed against their bodies.